Frankel’s picture places Will Smith in the shoes of Howard Inlet, a high-flying New York advertising executive circling the jaws of depression following the sudden death of his young daughter. Crushed, Howard comes dangerously close to losing the will to live, retreating into grief as his home and work life spiral out of control. His co-workers Claire, Simon and Whit quickly draft up a plan to help bring their friend back from the brink.
Switching gears into the metaphysical, Howard begins his own form of therapy to combat his crippling depression, drafting letters to Love, Death and Time – three omnipresent forces that he’s always been fascinated by. Imagine his shock, then, when Collateral Beauty throws up the living incarnation of each force, with Helen Mirren as Death, Keira Knightly as Love and Jacob Latimore as Time.
Collateral Beauty will jostle for a place in the Oscar race when Frankel’s ensemble drama opens on December 26.
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